Seth Speaks, Session 515
Inner Senses
The senses that you use, in a very real
manner, create the environment that you perceive. Your physical senses necessitate the
perception of a three-dimensional reality.
Consciousness is equipped with inner perceptors, however. These are inherent within all consciousness,
regardless of its development. These
perceptors operate quite independently from those that might be assumed when a
given consciousness adopts a specialized form, such as a physical body, in
order to operate in a particular system.
Each reader, therefore, has inner senses,
and to some extent uses them constantly, though he is not aware of doing so at
an egotistical level. Now, we use the
inner senses quite freely and consciously.
If you were to do so, then you would perceive the same kind of
environment in which I have my existence.
You would see an uncamouflaged situation, in which events and form were
free and not stuck in a jellylike mold of time.
You could see, for example, your present living room not only as a
conglomeration of permanent-appearing furniture, but switch your focus and see
the immense and constant dance of molecules and other particles that compose
the various objects.
You could see a phosphorescent-like glow,
the aura of electromagnetic “structures” that compose the molecules
themselves. You could, if you wished,
condense your consciousness until it was small enough to travel through a
single molecule, and from the molecule’s own world look out and survey the
universe of the room and the gigantic galaxy of interrelated, ever-moving
star-like shapes. Now all of these
possibilities represent a legitimate reality.
Yours is no more legitimate than any other, but it is the only one that
you perceive.
Using the inner senses, we become conscious
creators, cocreators. But you are
unconscious cocreators whether you know it or not. If our environment seems unstructured to you,
it is only because you do not understand the true nature of order, which has
nothing to do with permanent form, but only appears to have form from
your perspective.
Seth’s Nonphysical Environment (3)
There is no four o’clock in the afternoon
or nine o’clock in the evening in my environment. By this I mean that I am not restricted to a
time sequence. There is nothing preventing
me from experiencing such sequences if I choose. We experience time, or what you would call
its equivalent nature, in terms of intensities of experience – a psychological
time with its own peaks and valleys.
This is somewhat similar to your own
emotional feelings when time seems speeded up or slowed down, but it is vastly
different in important ways. Our
psychological time could be compared in terms of environment to the walls of a
room, but in our case the walls would be constantly changing in color, size,
height, depth and width.
Our psychological structures are different,
practically speaking, in that we consciously utilize a multidimensional
psychological reality that you inherently possess, but are unfamiliar with at
an egotistical level. It is natural,
then, that our environment would have multidimensional qualities that the
physical senses would never perceive.
Now, I project a portion of my reality as I
dictate this book to an undifferentiated level between systems that is
relatively clear of camouflage. It is an
inactive area, comparatively speaking.
If you were thinking in terms of physical reality, then this area could
be likened to one immediately above the atmosphere of your earth. However I am speaking of psychological and psychic
atmospheres, and this area is sufficiently distant from Ruburt’s physically
oriented self so that the communications can be relatively understood.
It is also in a way distant from my own
environment, for in my own environment I would have some difficulties in
relating information in physically oriented terms. You must understand that by distance I do not
refer to space.
Creation and Perception
Creation and perception are far more
intimately connected than any of your scientists realize.
It is quite true that your physical senses
create the reality that they perceive. A
tree is something far different to a microbe, a bird, an insect, and a man who
stands beneath it. I am not saying that
the tree only appears to be different.
It is different. You
perceive its reality through one set of highly specialized senses. This does not mean that it exists in that
form in any more basic way than it exists in the form perceived by the
microbe, insect, or bird. You cannot
perceive the quite valid reality of that tree in any context but your own. This applies to anything within the physical
system that you know.
It is not that physical reality is
false. It is that the physical picture
is simply one of an infinite number of ways of perceiving the various guises
through which consciousness expresses itself.
The physical senses force you to translate experience into physical
perceptions. The inner senses open your
range of perception, allow you to interpret experience in a far freer manner
and to create new forms and new channels through which you, or any
consciousness, can know itself.
Consciousness is, among other things, a
spontaneous exercise in creativity. You
are learning now, in a three-dimensional context, the ways in which your
emotional and psychic existence can create varieties of physical form. You manipulate within the psychic
environment, and these manipulations are then automatically impressed upon the
physical mold. Now our environment is in
itself creative in a different manner than yours. Your environment is creative in that trees
bear fruit, that there is a self-sustaining principle, that the earth feeds its
own, for example. The naturally creative
aspects are the materializations of the deepest psychic, spiritual, and
physical inclinations of the species, set up in your terms eons ago, and a part
of the racial bank of psychic knowledge.
We endow the elements of our environment
with an even greater creativity that is difficult to explain. We do not have flowers that grow, for
example. But the intensity, the condensed
psychic strength of our psychological natures forms new dimensions of
activity. If you paint a picture within
three-dimensional existence, then the painting must be on a flat surface,
merely hinting at the complete three-dimensional experience that you cannot insert
into it. In our environment, however, we
could actually create whatever dimensional effects we desired. All of these abilities are not ours alone. They are your heritage. As you will see later in this book, you exercise
your own inner senses, and multidimensional abilities, more frequently than it might
seem, in other states of consciousness than the normal, waking one.
Since my environment does not have easily defined
physical elements, you will be able to understand its nature by inference, as I
explain some related topics throughout this book.
Your own physical environment appears as it
does to you because of your own psychological structure. If you gained your sense of personal continuity
through associative processes primarily, rather than as a result of the familiarity
of self moving through time, then you would experience physical reality in an entirely
different fashion. Objects from past and
present could be perceived at once, their presence justified through associative
connections. Say that your father throughout
his lifetime has eight favorite chairs. If
your perceptive mechanisms were primarily set up as a result of intuitive association
rather than time sequence, then you would perceive all of these chairs at one time;
or seeing one, you would be aware of the others. So environment is not a separate thing in itself,
but the result of perceptive patterns, and these are determined by psychological
structure.
So if you want to know what my environment is
like, you will have to understand what I am. In order to explain, I shall have to speak about
the nature of consciousness in general. In
doing so I shall end up telling you much about yourself. The inner portions of your identity are already
aware of much that I will tell you. Part
of my purpose is to acquaint your egotistical self with knowledge that is already
known to a larger portion of your own consciousness, that you have long ignored.
You look out into the physical universe, and
interpret reality according to the information received from your “outer senses”.
I will stand, figuratively speaking, in physical
reality and look inward for you, and describe those realities of consciousness and
experience that you are presently too fascinated to see. For you are fascinated with physical reality, and
you are in as deep a trance now as the woman is through whom I write this book.
All of your attention is focused in a highly
specialized way upon one shining, bright point that you call reality. There are other realities all about you, but you
ignore their existence, and you blot out all stimuli that come from them. There is a reason for such a trance, as you will
discover, but little by little you must wake up. My purpose is to open your inner eyes.
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